Yesterday I posted about awards and in it I decried the statistics WordPress spews forth. But there is one statistic that stood out for me. My most popular post by views. It was my anniversary post, one year after I started blogging. It wasn’t that different from many I wrote up to that point or have written since.
Except the title:
my anniversary post: smut or the sex life of the euphemism.
Two SEO classics in the title. A smallish one, smut and a biggy, sex. I wonder how many people have clicked through to see the picture below and have been instantly disappointed? I wonder how many don’t know what a euphemism is and hope it is some sort of superfit, large breasted eunuch? Ah me. Still, if this is what my public wants I will give you smut and sex, only on my terms.
WordPress announced yesterday that I have passed a year of blogging with some 370 posts under my belt. It is difficult, of course, to have an e-party so to celebrate instead, you, my dear readers are offered a special post that, I hope, will titillate and tease: it’s all about smut.
‘It’s just a bit of rumpty-tumpty. Oh nurse!’
The 1960s are often thought of as a defining period in the transition between the generations. If you were adult before the 1960s kicked off then you stayed adult – you stayed staid if you like. If you were born just before (so your formative years were the 1960s) or at any time after then you belong to one of the frequently name-checked ‘generations’: My Generation, Generation X, Generation Y, Generation Now. What that means is I probably have more in common with my children than I ever had with my parents in terms of the music I enjoy, how we dress, how I spend my leisure time, what I ingest and so on. And in particular our attitudes to sex. The freedom to talk about it, enjoy it even.
Principally that stems from the ability to have sex without the consequences that stalked my parents every careless fumble. That in turn leads to a freedom with which we can discuss it, to acknowledge its existence even. The way it is described on the page, on stage and on screen – these are now commonplace. And the 1960s changed everything. That is the received wisdom, isn’t it?
Really? Well, like all sea changes there is a transitional period and, growing up in a New Forest cottage in the middle of bloody nowhere in the 1960s and 70s, I was in the middle of that transition.
There’s still to this day a time line that is spoken of in connection with British TV and that is the ‘watershed’. 9pm. This is the time after which programmes with any adult content can be shown. Violence, difficult subject matter and, especially any with a direct sexual component can be broadcast. Being born in 1956 puts me in what I’ve come to realise is The Watershed Generation.
Attitudes towards sex were changing but the old guard and the old attitudes still held sway. Especially in the backside of nowhere where I lived. If you like I’m part of the 8.45pm Generation. We were that close to enjoying some post watershed fun and frolics but, more often than not, it was tantalisingly out of reach.
Back in 1969, when I started at my secondary school, I was meant, as a twelve year old, to receive some sort of sex education. But it was just my luck that I changed schools at twelve and due to some badly organised timetabling I missed the lessons. My only formal sex education came at fourteen and involved a cartoon film explaining the mysteries of venereal disease followed by a cringe inducing discussion group. That’s rather like being offered the promise of sticky toffee pudding but missing out yet still ending up with tooth decay and a trip to the dentist.
Needless to say my parents were not about to make up for the shortfall. No, my first sex education came at Scout camp, somewhere in the Dorset countryside near the visibly priapic Hardy Monument. I mean it was inevitable: six boys aged between 11 and 15 in a tent for a week and you learn quite a bit, mostly through the use of bizarre metaphors and euphemisms involving trains and tunnels and, oddly toad in the hole (that delicious British staple has always had, for me, a certain additional frisson). The jigsaw pieces did, however, begin to fit.
And if there was any ambiguity I wasn’t about to ask and neither my mother nor my father were about to explain any of this to me. My father, whose Saturday nights were spent at the local Rugby club, famously could never sing nursery rhymes to my brother and me because after the first line the only words he knew were wholly inappropriate. Jack and Jill went up the Hill, Tum-te-tum-te- tum-tum. In all his years, on all the walks we went on together he never managed to enlighten my what Jack and Jill did up that hill.
I suppose this was a problem confronted down the generations, this delicate subject dealt with in code. The problem for us, my parents on one side and my brother and me on the other was that new device: THE TV.
By 1970 nearly every family had one, sitting in pride of place in their sitting room (lounge or parlour). And you watched it together. In 1970 we still only had 3 channels and colour was for the rich or desperate. My parents had many modern traits, one of which was a willingness to embrace drama and documentaries, sharing things with the two of us nascent teens.
Play for today for instance. We saw some excellent stuff which, for a family stuck out on the edge of a piece of heather coated bog would otherwise have been denied us. But what you couldn’t know, especially from the programme information in the Radio Times, was what the sexual component of such programmes might be. Oh sure there were plays such as The Sex Olympics – that sort of gave you a hint – and you were pretty sure if Dennis Potter had written it for the Wednesday Play or Saturday Night Theatre there would be something in there with scope to embarrass – he was the man who brought us Casanova. Not much chance of us watching that as a family.
There soon developed a process to counter this problem. We would sit and watch, a bit like Gogglebox today, occasionally commenting, one or other parent dozing off. Then some trigger – a top removed and hands reaching behind a back for a bra clip or – horrors – trousers or a skirt being removed; and dad would harrumph, mum would struggle to her feet and head for her sewing box which was strategically placed in front of the TV, ostensibly to retrieve a critical bobbin or needle, but in fact to give her time to assess the content of the next scene; while the Archaeologist would curl into a ball, feigning embarrassment but all the time watching the screen.
‘Shall we watch the news?’ ‘What about a coffee, Barbs?’ ‘Haven’t you some homework to finish?’
No one ever spoke about what was on the screen beyond a subsequent comment that ‘it was unnecessary.’
Of course it remains the case that no one can imagine their parents ever had sex – we are all adopted, or at least we would all be slightly more comfortable if we had been. But today if there is sex on screen we are all able to share a good story without that same terrible tension filling the room.
There’s one story that best sums this up.
By way of background you might need to know that, back in the 1970s there was a deal of mythology floating around about a totally natural practice (especially beloved of teenage boys though having read Caitlin Moran’s How To Build a Girl, I’m aware it isn’t an exclusively male preserve). Even Monty Python, in their Big Red Book called it ‘The Difficult One’ and indicated that were you to indulge such practices you might go blind or, worse, end up voting Conservative. And never was the technical expression used for such a solitary entertainment even amongst one’s peer group – oh no. You might ‘polish percy’ or ‘whack the bishop’.
One evening we were watching the third episode of an adaptation of Emile Zola’s Therese Raquin. This was a gritty rewrite, much beloved of mum and tolerated by dad. In the lead roles a young Alan Rickman played opposite Kate Nelligan. The action had reached a crucial point: Therese and her lover, having murdered Therese’s awful husband, are trying to restore their affair to its former passion.
Picture the scene: dad is dozing, mum is partly watching and partly sewing and we boys are glued to the screen. Why? Because Ms Nelligan is stark naked, as is Mr Rickman (not that we focused on him) and neither parent seems to have spotted this turn of events.
‘What’s wrong?’ pleads the delightfully déshabillé Ms N? ‘Why can we not make love?’
These are trigger words causing mum to look up. She disturbs dad, who stirs.
At this moment Alan Rickman jumps from the bed, clutching a sheet strategically to cover his privates. In a loud voice he declaims,
‘We must master fate.’
That was, in retrospect perhaps an unfortunate turn of phrase. Dad is, by now, wide awake and frankly goggling the screen. He looks at mum, back at the shocking scene confronting him and says, ‘Surely not, Barbara? Not on the BBC.’